SUPPLEMENTS
nonchalANTH: Casual Anthropology Chats
KAT IRESINE TIMM
Drawing Together to Practice Reflexivity in Research Methods
JULIE SPRAY
Producing Journalistic Authority in Turkey
NAZLı ÖZKAN
Retro Nuoso
KAITLIN BANFILL
Ethnographic Installation and “the Archive”
DEBRA VIDALI &
KWAME PHILLIPS
Multi-Modal Projects
ROGER CANALS
Video Workshops
LUCAS BESSIRE
Extending the Frame
PATRICK SUTHERLAND
Enactive Filmmaking
LORENZO FERRARINI
Tasting Tea and Filming Tea
JINGHONG ZHANG
Censorship and Ethnographic Film
HARJANT S. GILL
Portrait Photography in a Postcolonial Context
BETH BUGGENAGEN
Auteurship and Image-Making
ARJUN SHANKAR
Self-Fashioning and Collaborative Ethnography in the Digital Age
ETHIRAJ GABRIEL DATTATREYAN
Reframing Anthropology Exhibitions for Contemporary Audiences
MONIQUE SCOTT
Visual Representations of Masculinity in Dakar
DICK POWIS
Pedagogies of the Senses
ETHIRAJ GABRIEL DATTATREYAN &
ISAAC MARERRO-GUILLAMÓN
Paraethnographic Film
TOM BOELLSTORFF
Visual Regimes of Mobility
PINELOPI TOPALI
At Dalits’ Feet
ANNA LAINE
The Ax Fight
ANNA GRIMSHAW &
SYDNEY SILVERSTEIN
Racialized Space
AMBER REED
Undercover Boss’s Travels
ILANA GERSHON
Moving Painting
LISA STEFANOFF
Doing the Snap
LAURIAN R. BOWLES
Models, Measurement, and the Problem of Mediation
STEPHANIE SADRE-ORAFAI
Use of Intermediary Images in Egyptian Film Production
CHIHAB EL KHACHAB
Future Archives and Everyday Life in Indonesia
DAVID KLOOS
Anthropology with a Paintbrush
ZOE BRAY
The Iconicity and Reappropriation of Tank Man
JENNIFER HUBBERT
We are in the process of migrating past supplements to our new online home. In the meantime, they are still accessible on the SVA website here, but do check back frequently for updated content!
UPDATED SEPTEMBER 21, 2023